Post Production Analysis and Evaluation


Rough Cut, Peer to Peer verbal feedback

After a rough edit of ‘Limbo’, I asked two of my peers for feedback, to critically express their feelings and opinions. They watched the introduction of Limbo once and listened to a piano composition composed by Kevin Macleod. They went on to answer a series of questions.

          Bhavna and Ben’s feedback was positively inspiring, but I would have liked some critically negative concerns, in which I could have addressed. However, Bhavna’s response to explain how effective the close up shots were in the first scene; identified what I had initially set out to achieve. I had planned to keep an air of “mystery”, and “curiosity” concealed within the two opening shots. She then mentioned that these shots effectively “explore the character”, which was my primary aim.

          By peers, liked the effectiveness of the music and would be interested to view Limbo as a full product. Bhavna explained that she was “curious of what happens next in the story” and the introduction “pulls the audience’s attention”.

Rough Editorial Cut – Peer to Peer Research

The initial objective to this research was to establish whether I had included enough hints of how gender was represented in Limbo’s extract. The results indicated that my eight peers identified micro elements of makeup that would have initially been stereotypically associated as a female possession; highlighted the ‘Transgender’ theme. Liam, also indicated that gender could be established through my protagonists “Anxious, secretive motions and facial expressions”.

          This exercise proved interesting though, that not one person identified my protagonists interest in female shop or the beauty tip page of the magazine. This leads me to believe, the opening shots to ‘Limbo’ instantly grabbed their immediate attention.

Post Production Questionnaire

In order to obtain critical feedback I conducted a focus group session, that was selective of age and gender. I showed them two previews of ‘Limbo’ and played them the acoustic guitar soundtrack that was primarily composed for this extract. 

          The results indicated several interesting factors

Question one – Effectiveness of Titles
Five out of the six participants decided they were effective, but one male responded how they did not relate to the genre, I was representing. This was a convention I was trying to challenge.

Question two - Theme
All participants commented that the theme was instant and easily recognised within the extract.

Question three – More Hints to the Theme.
Two participants confirmed that I did not need to place any more in the introduction.

Two participants suggested that Mark should have put on a dress with one going further to suggest that he could have placed a wig on.

One suggestion was that a dress should have been laid out on the bed.

Another response was to have the protagonist put his makeup on using a hand mirror.

I felt that putting the dress on was not necessary, for the theme to be recognised, but the hand held mirror suggestion was a valuable point, and one I would have liked to implement, but at this stage of my project I felt that it would not benefit a reshot.

Question Four – Instrumental musice
Five out of the six participants preferred the piano instrumental piece, as it successfully evoked empathy and emotion. However, one respondent clarified that they preferred the guitar instrumental piece. However, they would have liked the tempo to be a lot more subtle.

Question Five - Title
Five out of the six liked the title I had chosen and even had their own ideas –
Me referring to identity
The In Betweener – Extract explored two sides of Mark’s identity.

It is fair to say that the title ‘Limbo’ reflects the mood and representation of the introduction and therefore I feel it is appropriate.


Question Six – View Full Film

All the participants indicated that if ‘Limbo’ was made into a film, they would be very interested in viewing it.