This is England Introductory Textual Analysis





The technical elements heavily employed into this introductory extract are both editing and sound. The opening subverts away from the conventional style of establishing a particular location and the protagonist. This introductory sequence incorporates editorial clips, that were significant in England, during the 1980’s and although a national identity is established, its relevance is not easily revealed.

            The iconic clips of images such as the prime minister, Margaret Thatcher will help an audience to realise the film may be heavily influenced by political issues such as Immigration, war and unemployment; and how society reacted to these particular negative issues. To balance the negativity of the era, there were shots depicting an age of technology, involving the popularity of ‘Space Invaders’, whilst other shots depicted how entertainment and the media was a positive part of the 1980’s.

            Several mid shots, from within this sequence, focus on how members of society reacted to events and issues. Their emotional anger and rebellious nature highlight their ideology of the issues being presented of unemployment, war, poverty, and the class and status divide. Clips depicting ethnic groups in society show, that England’s multicultural society was growing and racialism was an issue.

Many of the issues would be identified by an audience through the use of the mise-en-scene. Costume design decodes the different classes along with the location settings. Upheaval in society was revealed through action and the freedom of expression.

The establishing shot, depicting the title of the film has a great emphasises for the initial setting. The hand held camera pans across a run down and heavily graphitised council estate. The hand held camera gives an effect that it is travelling in a car. This micro code signifies the idea of natural realism. The mise-on-scene in this shot, emphasises how gritty and depressive the image of these buildings are to an audience; and in return they would realise the harsh reality that is faced by their occupants. Realism is again decoded through the use of natural light in this shot. The combination of these technical elements, enforce the macro level of representation of class and status of these social types. Furthermore, this then highlights issues such as deprivation, lack of education, poverty and the way a society is forced to live.


The very first clip depicts the character Roland Rat, who has the only diegetic feature in the opening sequence. The next clip commences with the soundtrack ’54-46 (That’s My Number)’ by Toots and the Maytals and this track continues to be played throughout the opening sequence. The music compliments the clips and enables an audience to reflect and digest the imagery. This subsequently, allows an understanding and establishment of the era.



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